If you’re going to write a novel, you want it to be about the person, not the place, the place should be the central character.
That means that the characters shouldn’t be based on what they’re wearing or where they’re from.
If your characters are about a person, you should also want them to be believable.
It’s important to remember that a character in your novel will be unique and may not be what you expect.
For example, I know that some of you are already thinking, “Why don’t we just write a guy who can’t read?
Why don’t I just have a guy with a lot of money who is always having a good time?”
It’s actually kind of silly.
What’s more interesting about that is that the character can be any kind of person.
In other words, the book isn’t really about a specific person, it’s about the character.
If you write a book about a guy that has been in jail and has a drug problem, that’s probably not going to work.
But if you write the same thing about a woman who was kidnapped and is a prostitute, that would work.
The main thing is to keep your characters real, and this is what I mean by that.
I’ll show you an example of what I’m talking about, the novel by Emily Post.
The story begins with a girl who is kidnapped by a man who doesn’t seem to care if she’s a runaway or not.
I want to make it clear that this isn’t a novel about the kidnapping.
That’s a pretty common story, so if you’re thinking, that seems a little far-fetched, it would be, too.
But the point is that in the novel, the character is real.
She has an experience with a man.
And she’s just looking for her mommy.
She doesn’t have any friends, so she doesn’t really have a way to find out who’s responsible for her abduction.
She’s just trying to get home.
This is a very realistic story.
And what’s more, the woman is actually not kidnapped at all.
It seems that the kidnapping was a real crime and the abduction took place after she had been kidnapped.
The abduction is real, too, because it happened in a real place, in a very real location, which is, again, a very typical type of kidnapping.
Now, if you think about this, you’ll see that you can use any sort of character to tell a story.
If the main character is the person who has to make the decision about whether to go home or not, that person is going to be a character that you have to keep true to.
If that character is a woman, then you’ll need to write about that, too; you’ll have to make sure that the main female character is not just a sex object, that she’s actually a woman with a complicated relationship with her family.
The most important thing is that you don’t just write the main characters, you have your supporting characters and supporting roles, too—and the characters who are really important to your story.
So, you don.t want to write characters who only have a one-dimensional existence.
That would be a disaster.
Instead, write characters that have depth and depth and are really complicated and interesting.
There are some things that I would say to you: The main character should be a woman.
If she’s the main person, then the whole world needs to be told about her.
If her life is really important, you can tell that by telling her the story of her childhood and the circumstances of her life.
The character should not be a person who only has one job, and she should have a complex relationship with a family.
A lot of people will say that the only reason to write the character who only works at home is because it’s more exciting.
But what is interesting about the book is that, if the main man is the only person who can do this, that could work, too: It could be a great thing if that main man can be the main story.
What I think people forget is that we don’t have to write this book about the main people.
We can write about the people that the story is really about.
That could be the most important part of the book.
So what should you look for when you’re writing your novel?
The key thing is not to write just one main character, but to create a character who is interesting, believable, interesting, and who has a complex, complicated, interesting relationship with his family.
And if you have a character like that, it’ll help you get through the first act, because you’ll start to feel like you’re building a world.
The point is to write people who are believable, who are complicated, who have a complicated, complex relationship, and then tell a good story.
Now we’ve talked about how to write novels.
Now let’s talk about